So Goude it Hurts
A new exhibit in Milan explores Jean Paul Goude’s extraordinary imagery, in particular the women who’ve played muse along the way.
The French photographer’s unapologetically retouched oeuvre includes Naomi Campbell racing a cheetah; models dashing across a finish line in billowing couture and high heels; and 70s model Carolina Beaumont balancing a glass of champagne on her rear (he’d have Kim Kardashian do the same decades later).
The most significant of Goude’s women, however, could only be Grace Jones. After meeting during New York’s disco era, the two developed a fast and furious relationship. He created many of her album covers in the 80s, including Nightclubbing and Slave to the Rhythm, and often credits her for inspiring his best work.
So Far So Goude, April 16 – June 19, 2016, Padiglione d’Arte Contemporanea, Milan
Azzedine Alaïa and Farida Khelfa, 1985
Björk, Mixte, 2007
Grace Jones, 1981
Thierry Mugler, Vogue France, 1998
Twins, 1979
Azzedine Alaïa, 1998
Jean Paul Gaultier, 2003
Christian Lacroix, 2003
Marc Jacobs, Harper’s Bazaar, 2007
Carolina Beaumont, 1976
Farida Khelfa, 1985
Grace Jones, in collaboration with Antonio Lopez, 1980
Elle, 1999
Grace Jones, 1978
Jessica Chastain as Joan of Arc, Harper’s Bazaar, 2015
Grace Jones, 1983
Grace Jones, 1978
Naomi Campbell, Harper’s Bazaar, 2009
John Galliano, 1999