Gareth Pugh’s spring collection brought out a debauched disco of influences, everything from bias-cut gowns à la 70s-era Halston to extreme made-up nylon masks recalling Leigh Bowery and Divine.

Specifically Pugh referenced Soho nightlife and draggy glamour, as in shimmery halters made entirely out of copper pennies, white Mongolian-fur stoles, and all-over shiny red paillette numbers.