New York artist Daniel Arsham‘s MO is to fossilize everyday objects, particularly communication devices, as a comment on the transient nature of media, and of art itself. At Art Basel, he’s transformed Locust Projects into an excavation site deep in the gallery’s floor, where thousands of calcified, petrified artifacts of the 20th century have been buried: boomboxes, cameras, electric guitars, game controllers, cell phones, VHS tapes, Walkmans, film projectors, and so on — all rendered in crystal, volcanic ash, and other minerals.
The site-specific installation derives from Arsham’s childhood, specifically the year 1986, when he survived Hurricane Andrew huddled in a closet of his family’s Miami home. The wreckage he discovered in the storm’s wake had a profound impact on his perception of space and time, which leaves the viewer with the impression that a century has passed in a moment.
Daniel Arsham: Welcome to the Future, Locust Projects, 3852 North Miami Avenue, Miami
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