Viktor & Rolf for the Dutch National Ballet

Guess Who's Collaborating With the New York City Ballet

Each fall, the New York City Ballet — among the most distinguished ballet companies in the world — holds its big Fall Gala at Lincoln Center, showcasing live snippets of the season's new performances.

Increasingly, to generate a little extra excitement, choreographers are being paired with fashion designers. This year's gala will bring together Liam Scarlett's new work with Sarah Burton of Alexander McQueen, Troy Schumacher's mainstage choreographic debut with Thom Browne, Justin Peck's world premiere with Mary Katrantzou, and balletmaster-in-chief Peter Martins with Carolina Herrera for the retelling of Morgen. Further, an existing piece by Christopher Wheeldon will be costumed by Valentino Garavani, who'll reimagine his pieces from the 2012 staging.

Naturally, the costumes are top secret until the Fall Gala on September 23, but here's a look at the most memorable pairings of ballet and fashion...

Aug 08, 2014 11:42:00

Hint Tip: Hedi Slimane Photos at Fondation Pierre Bergé - Yves Saint Laurent

A loyalist, Hedi Slimane has traditionally shown his photography only in Almine Rech Gallery in Paris and Brussels. But now he's branching out — just a little.

Bowing in September (just before the spring collections), the Saint Laurent designer-photographer will present Sonic, an exhibition of his more significant rock portraits over the years — think Lou Reed, Amy Winehouse, and Keith Richards.

Hand-picked by himself, naturally, the images will go on display in the intimate Pierre Bergé - Yves Saint Laurent Foundation in Paris, culminating in a video installation juxtaposing the now-Angeleno's London series (2003 - 2007) with his California series (2007 - present).

Sonic, September 18, 2014 - January 11, 2015, Fondation Pierre Bergé - Yves Saint Laurent, 3 rue Léonce Reynaud, Paris

Jul 24, 2014 14:11:00
Boyhood

Hint Tip: Richard Linklater at Anthology Film Archives

Before Boyhood, the gritty new coming-of-age film from Richard Linklater that everyone is crowing about, there was Dazed & Confused — which brought both Matthew McConaughey and Milla Jovovich to the collective consciousness — and before that, Slacker. Both of those seminal works from Linklater and many more (sadly, not Before Sunrise) will screen at the Anthology Film Archives through the rest of July as part of a tribute to his friend, the avant-garde filmmaker James Benning.

Visit Anthology Film Archives

Jul 16, 2014 23:17:00
Charlie Le Mindu

Just the Pics, Please: Charlie Le Mindu Haute Coiffure

When the hair stylist extraordinaire Charlie Le Mindu isn't creating elaborate headpieces destined to grace the craniums of Lady Gaga, Peaches, and many more ladies of the avant-garde, he's staging tonsorial theater during the Paris couture shows that at times feels more like kabuki theater. He calls it, fittingly, haute coiffure. Last season his theme was Seapunk, in homage to an obscure scene that combines the usual punk accoutrements with elements of sea life. This season's theme could have been Sasquatchpunk, if such a scene exists — and surely it does somewhere...

Jul 12, 2014 21:29:00
Hood by Air at MAD

Hint Tip: Hood by Air at MAD

The Brooklyn-based and still-nascent label Hood by Air has already scored a museum exhibition, NYC Makers, part of the MAD Biennial. In the compact yet ambitious show at the Museum of Arts and Design, designer Shayne Oliver's laced-up two-piece masterwork for HBA — a parachute Jacket and flight shorts for spring 2014 — counts among the items loaned by 100 artists who call the city home, including Laurie Anderson, Aisen Caro Chacin, Chris Pellettieri, and Rafael de Cárdenas. It's the first exhibition organized under the aegis of MAD's new director, Glenn Adamson — an auspicious new beginning.

NYC Makers, July 1 - October 12, 2014, Museum of Arts and Design, 2 Columbus Circle, NYC

Jul 10, 2014 18:59:00
Misty Malarky Ying Yang

Hint Tip: Ryan McNamara Takes Over the High Line

Ryan McNamara, the Brooklyn-based performance artist who once staged a commissioned piece in Louis Vuitton's flagship, a "showboy production line" in which, for two hours, 30 male dancers conga-lined through the store to a loop of old chorus-line music created by McNamara. As they danced, they passed various Louis Vuitton bags, spontaneously licking them. “Performance is inherently subversive," McNamara said, "in that the presenting institution cannot guarantee what is going to happen."

Now he's presenting Misty Malarky Ying Yang, a new performance at High Line Art that commemorates the 35th anniversary of Jimmy Carter’s ill-received Malaise Speech, given July 15, 1979. McNamara and a group of performers will use the televised address — in which the president blamed the oil crisis on over-consumption by the American public — as the point of departure for a choreographed, immersive spectacle that will snake along the length of the High Line from its southernmost point to its northernmost. The title of the show, Misty Malarky Ying Yang, refers to the name of the Siamese cat belonging by the president's daughter, Amy Carter, while in the White House.

July 15–17, 2014, 7:30 pm, south end of the High Line @ Gansevoort Street

Jul 09, 2014 14:52:00
Daniel Arsham

Daniel Arsham Is Now Destroying Musical Instruments

Evoking the passage of time and its corrosive ravages, New York artist Daniel Arsham brings his signature erosion technique to more cherished items, this time musical instruments. All new works, The Future Is Always Now at Galerie Perrotin features plaster casts of guitars, turntables, microphones, boomboxes, speakers, keyboards and the like, whose volcanic and obsidian composition has been degraded and fossilized to the point of no return.

Fashion followers may recall that, in 2005, Hedi Slimane commissioned Arsham to create the dressing rooms for his new Dior Homme store in Los Angeles. The designer's only requirements were "a hook, a seat and a mirror." Thus, Arsham's implemented a hollowed-out, excavated look in which walls appeared to be in mid-crumble.

Daniel Arsham, The Future Is Always Now, June 12 - July 26, 2014, Galerie Perrotin, 76 rue de Turenne, Paris

Jun 14, 2014 11:37:00
Backstage at amFAR 2014, photos Eli Schmidt

Just the Pics, Please: amfAR Inspiration Gala

Merry champions in the fight against AIDS and their admirers turned out to the Plaza Hotel, New York, for amfAR’s annual Inspiration Gala and a fashion show featuring looks by Thom Browne, Raf Simons, Rick Owens, and Calvin Klein.

Honorees included HRH Crown Princess Mette-Marit of Norway, CK's Francisco Costa and Italo Zucchelli, and HBO President Michael Lombardo. The gaiety continued well into the night with a live performance by New Order and a steady stream of rainbow-colored confetti...

Jun 12, 2014 13:44:00
Tulsa, Larry Clark, 1963

Larry Clark Has a New Teenage Delinquency Film and Two Retrospectives

Photographer, filmmaker and now fine artist, Larry Clark has made a career out of capturing hard-core teenage mischief and devilry in discomfiting images of needle-poking, gun-toting, everything-humping kids. In the process, he's paved the way for countless other photographers. Indeed, the road to Nan Goldin and Terry Richardson begins in Tulsa — the name of Clark's groundbreaking 1971 book of gritty black-and-white photos shot sporadically between 1963 and 1971. His reputation was well-established by the time he directed the Harmony Korine-written and highly controversial feature film Kids in 1995, launching the careers of Chloe Sevigny and Leo Fitzpatrick. His latest film, The Smell of Us, about so-called delinquent skateboarders in Paris, is set to release later this year.

"I'm just showing a reality," he told Hint. "Other people have taken my images and exploited everybody like crazy. Look at the fashion world. Open any magazine and it's all half-naked and naked kids selling clothes. The original work that I did, I wasn't selling anything. I was just making art and showing you the reality of what's going on."

Clark was doing just that as early as 1961, as Luhring Augustine gallery shows in an exhibition of works spanning the early 1960s to the present. The earliest piece on display is Clark's portrait of his friend Johnny Bridges, made with a Rolleiflex camera borrowed from his mother, a door-to-door baby photographer. In recent years, however, Clark has also created collages and has recently branched out into sculpture and painting. A fervent collector, Clark continually mines from his vast accumulation of photos and printed matter to form and inform his work. The show, titled "they thought i were but i aren’t anymore…," will also showcase his painting for the first time.

Clark will also have a moment across the pond. The FOAM in Amsterdam will exhibit the complete Tulsa series, as well as its follow-up book, Teenage Lust. The museum will also screen Tulsa 1968, the 16mm black-and-white film Clark shot alongside his Tulsa portraits and which has only been shown on a handful of occasions since 2010.

"they thought i were but i aren’t anymore…," Jun 7 - Aug 1, 2014, Luhring Augustine, 531 W 24th St, NYC
Tulsa and Teenage Lust, Jun 13 - Sep 12, 2014, FOAM, Keizersgracht 609, Amsterdam

Jun 07, 2014 13:40:00

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