Junya Watanabe focused on the trenchcoat, which he deconstructed and reconstructed in a myriad of ways...
For his finale, Yohji Yamamoto came out, turned, and paused, the words NO FUTURE printed on his back...
Hedi Slimane knows how to decode elusive Parisienne cool. He turned his attention to it at Celine...
Rick Owens was thinking about his mother's Mexican heritage and created a regal, colorful collection to honor it...
The MASI Museum in Switzerland asked Franz Gertsch to plan an exhibit of his work, which led to a surprising counter-offer...
The Godfather of Gloom was neurotic before anxiety became big business, as seen in a new exhibition...
Vivien Lash examines the life and nudes of Egon Schiele, fashion's favorite fin-de-siècle provocateur...
As seen in a new exhibition, Frida Kahlo was full of seductive contradictions, writes Vivien Lash...
At Dries Van Noten, what started out as a wild rumor revealed itself with a red rose placed on each seat...
Hedi Slimane seemed to be channeling David Bowie in the 1976 extraterrestrial film The Man Who Fell to Earth...
A clue at Comme des Garçons: Rei Kawakubo is design costumes for a new production of Virginia Woolf's Orlando...
Junya Watanabe men's opened to the farmyard sounds of a rooster crowing a wake-up call...
Dries Van Noten talked of James Bidgoood’s Pink Narcissus and Kenneth Anger in the show notes...
A Yohji Yamamoto show comes with certain expectations and, in the same breath, certain unknowns...
If last season at Rick Owens was glam rock, this season was truly glam Rick — slim and sculpted...
Last season at Comme des Garçons was brutal, referencing war and pain. This season was no different...
At Junya Watanabe, a love letter to old-school Harajuku street style — an eclectic, doll-eyed, big-haired vision...
